#The sundays static and silence rar series By design, we decided to steer as clear from pure shoegaze as we could. As such, some of the noisier bands on the spectrum (Starflyer 59, Medicine, Swervedriver, Catherine Wheel) were left off. The same rule held true for bands like Curve, whose electronic cacophony didn’t feel quite-so-dreamy, as vital as it may be. Not Drowning, Waving- Another Pond (Rampart Releases, 1984) Lastly, while indie-pop often flirted with the same textures and shared a similar set of influences, opening the door to the genre felt equally inaccurate (though we adore Black Tambourine, The Field Mice, Blueboy, and Heavenly as much as anyone).ġ. Our first entry on this list is an unsuspecting and extremely underrated one, released a few years before the genre was “officially” coined, but no less deserving of inclusion.
The Wake- Here Comes Everybody (Factory, 1985) This Australian band combined sparse washes of synthesizer, delicately rambling piano melodies, churning post-punk guitars, fretless bass, and ghost-ridden vocals, and the results are as ephemeral as they are stunning.Ģ.
#The sundays static and silence rar series.
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